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Mata Ni Pachedi

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  Mata Ni Pachedi   Mata-ni-Pachedi   is a traditional art of painting the image of goddesses on a piece of cloth found in the temple which is of a multicolored animated images of gods and goddesses, devotees, followers, flora and fauna with a narrative story. The term Mata-ni-Pachedi originated from Gujarati language, where Mata means ‘ goddess ’, ni means ‘belongs to’ and Pachedi means ‘ behind ’ When people of the nomadic Vaghari community of Gujarat were barred from entering temples, they made their own shrines with depictions of the Mother Goddess of different forms on to the cloth. The unique feature of this temple-hanging is the product layout of four to five pieces of Mata-ni-Pachedi erected to form a shrine for the Mother Goddess. Traditional Mata ni Pachedi is a rectangular piece of fabric used as a canopy in the place of ceiling in a nomadic shrine which houses the main mother goddess image at its center. The rectangular fabric is divided into seven to nin...

Ganga-Jamuna lota

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 Ganga-Jamuna lota     The  lota  or indigenous water vase                        This combination of both brass and copper is uniquely Indian and is dubbed  Ganga-Jamuna , a poetic reference to the contrasting colours of the water of the Ganges and Jamuna rivers. The Jumna is the longest tributary river of the Ganges in northern India. It travels a length of 1,376 kilometres (855 miles) before merging with the Ganges at Triveni Sangam, Allahabad, the site for the massive Kumbha Mela festival every twelve years.     This pot is of brass and decorated with the copper strip.This lota is almost 200 years old.This lota is art piece of mughal carving.       It is the longest river in India that does not directly flow into the sea. The water of one has a slight yellow hue on account of he alluvial mud suspended in its waters, whilst that of the other has a reddish hue, a...